EXAMINATIONS AND DIAGRAMS: THE MEDICAL BODY
Describe your last doctor or dentist visit. That was the question--It
was one of many, many questions we asked users. The
responses were so diverse, so interesting... both personal and impersonal
at the same time. Obviously we were interested in the live
vs. the virtual body, so the medical body felt like a good way to
explore that concept. While at Georgia Tech, I took a class on Biomedicine
and Culture. The class got me thinking about Haraway, Latour, Foucalt--we
read a lot of William Carlos Williams. It was a great class. At NYU,
I was also taking a class on Artaud,
whose famous body without
organs had me turning in circles. Thus, our medical section was
born. (Out of pure confusion.) Take a look: clip01
(1MB), clip02 (504K) clip03
(530K) clip04 (365KB)
clip05 (2.09MB)

What were we trying to do? Well, sometimes I think I know,
other times I have no idea... We wanted intrusive visualizing
technologies: probes and
cameras. We wanted to perform power (the ways that technologies
distort, alter, and invade bodies). Even the simple act of seeing
the body can medicalize it. At that time, I was obsessed with diagrams--the
way a diagram alienates and complicates the body. I wasn't critical
of this alienation, I was intrigued. I taped tons of diagrams to the
fridge of my Brooklyn apartment. I collected old medical texts and cut
them up.
Scientific and medical ideology fragment the body: take
it apart, cut it up, magnify it, amplify it, blow it to bits. I got
to thinking about medicalization, the process of knowledge accumulation,
or knowledge-making (depending on how you look at it)-- there's a violence
to this inquiry. It disrupts the implicit knowledge we have
of our bodies. By implicit knowledge, I mean our body images:
the picture we have of our bodies. We tenuously try to keep grips (consciously
and unconsciously) on our own viscera. This is how we control our bodies,
acclimate them to space, in short--live in the the world. Medicalization
calls the body image into question, shakes it up, displaces it, (the
inner autonomy collides with exteriority). Again, I'm not precious
about this central "body image." I think it's good to shake
our bodies up a bit. (I just read that last statement. Please insult
me)
Take, for instance, a diagram of a female body. There's
the ovaries. The glands. The lungs. The eyes. Lines pierce through the
muscle tissues. Words fly around: hard-to-pronounce scientific names.
The diagram's thrilling. It's forgein and benign. It's also a visceral
smack in the face. The diagramed body just sprawls out: dissected, categorized,
UNDERSTOOD, yet... No. Not understood. We could count every cell in
our bodies, color-code them, put them in red piles and white piles and
blue piles... hell, we could genetically identify every hair on our
heads, armpits, and pubis and still never get it right. The
body is a wet heap of scientific, political, cultural, emotional, erotic,
and philosophical meanings. It's impossible. That's exactly
what I wanted this doctor section to perform: the impossibility
of the live body. The utter immateriality of it's materiality.
I wanted to reveal this immateriality by performing the resistance we
all have to the body's objecthood--our resistance to medicalization.
We look at a diagram and say that is not-me, that is not-me and
never will be, while feeling relief--not because the diagram assimilates
our bodies-- because it destroys our bodies.