what birds give up

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Plainwater Anne Carson

Read this. I don't care what you say about anything. I don't care. I don't care about your appointments and bills and one-night-stands and dinners-in-the-oven. This is a slow boat in a big lake. And there's room for you. Not much room. But the fact that there is still space left is reason enough.

A imaginary self-reflexive monologue by Anne Carson, who would never write a self-reflexive monologue or even a monologue at all:

I will talk clipped. I will talk about ancient somethings. My mother is brave. My dad has dementia. I will talk all and all, announcing myself to the world without an adjective. I am a stone. A hard-to-find stone under the dreary fingers of Canada. I am not pretending to be your mother. I am pretending to be what we are all pretending to be: calm. I have 20 fingers. A one-way entrance. I am not first person. Because the last person is the one we look over our shoulders to watch. She's the one that we wait for.

I will break your heart in places where the heart does not exist.

Letter to Anne Carson

Dear Anne,
Can I call you Anne? My friend, Jimmy, calls you Annie in his sleep. Can you believe he mistook you for me? We're so different. You have a small strong boat. I keep trying to conjure an ark.

I stepped outside today and felt the snow without gloves. I thought of Canada. How many times have you laid on the ice? Many, perhaps. Or is that something that you do once? Then the memory re-buttons your coat when it tries to open again? I don't know. Since we've been friends, questions like that have been clinging to the windows. Like burnt barnacles. Or oranges.

You talk about oranges, the blood ones, and how your Cid sliced them with a pilgrim knife until most of his face fell off. I've thought about that. I've thought about many things, but mainly how much your country resembles a large snowy stone on top of us. How flat and curious it is in the morning, when I look north on my way to the train. When I say 'your country,' I mean you, Anne. I mean the plates of the earth rubbing against one another. I mean that music. If you could call it music.

I've thought about my boyfriend's broken guitar. The cold cracked it open while we were visiting friends. It was laying in same spot, made of the same wood, but it had changed. Is that what the cold has done to you? Does the wind slip its fingers into your mouth and pull the jaw apart? Or is the stillness of winter the problem? No. I think you might say that is the solution.

   I N   P R O C E S S
   
Blow up and other stories
The Dream of a Unified Field
Mad Love
The Monkey Grammarian
 
   G O O D S
   
Libra
Beloved
100 Years of Solitude
Maddona anno domini
Oscar Wilde
Glass, Irony, and God
The Waves
Plainwater
Lolita
Selected Poems/Strand
Strike Anywhere
The Probable World
Eros
Hopscotch
This Side of Paradise
Men in the Off Hours
Autobiography in Red
The Beauty of the Husband
Artaud (ed. Sontag)
Camera Lucida
Small Boat
Radiation
Emily L.
Milosz (Selected Poems)
Kafka (Selected Stories)
Simic (Selected Poems)
The Picture of Dorian Gray
Sappho
Love in a Time of Cholera
 
     B A D S
  The Idiot
Jigsaw
So There
Isadora Speaks
The Ladies' Paradise
Ecotopia

 
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